National Hotel nears end of long renovation




















A panel of frosted glass puts everything in perspective for Delphine Dray as she oversees a years-long, multi-million dollar renovation project at the National Hotel on Miami Beach.

“Chez Claude and Simone,” says the piece of glass stationed between the lobby and restaurant, a reference to Dray’s parents, who bought the hotel in 2007.

“Every time I am exhausted and I pass that glass, I remember why,” said Delphine Dray, who joined her father — a billionaire hotel developer and well-known art collector in France — to restore the hotel after the purchase.





After working with him for years, she is finishing the project alone. Claude Dray, 76, was killed in his Paris home in October of 2011, a shooting that remains under investigation.

In a recent interview and tour of the hotel’s renovations, which are nearly finished, Dray did not discuss her father’s death, which drew extensive media coverage in Europe. But she spoke about the evolution of the father-daughter working relationship, the family’s Art Deco obsession and the inspiration for the hotel’s new old-fashioned touches.

The National is hosting a cocktail party Friday night to give attendees a peek at the progress.

Dray grew up in a home surrounded by Art Deco detail; her parents constantly brought home finds from the flea market. By 2006, they had amassed a fortune in art and furniture, which they sold for $75 million at a Paris auction in 2006.

That sale funded the purchase of the National Hotel at 1677 Collins Ave., which the Drays discovered during a visit to Miami Beach.

After having lunch at the Delano next door, Dray said, “My dad came inside the hotel and fell in love.” The owner was not interested in selling, but Claude Dray persisted, closing the deal in early 2007. Her family also owns the Hôtel de Paris in Saint-Tropez, which reopened Thursday after a complete overhaul overseen by Dray’s mother and older sister.

Delphine Dray said she thought it would be exciting to work on the 1939 hotel with her father, so she moved with her family to South Florida. She quickly discovered challenges, including stringent historic preservation rules and frequent disagreements with her father.

“We did not have at all the same vision,” she said.

For example, she said: “I was preparing mojitos for the Winter Music Conference.” Her father, on the other hand, famously once unplugged a speaker during a party at the hotel because the loud music was disturbing his work.

“We were fighting because that is the way it is supposed to be,” she said. “Now, I understand that he was totally right.”

She described a vision, now her own, of a classic, cozy property that brings guests back to the 1940s.

Joined by her 10-year-old twin girls, Pearl and Swan, and 13-year-old son Chad, Dray pointed out a new telephone meant to look antique mounted on the wall near the elevators on a guest floor. She showed off the entertainment units she designed to resemble furniture that her parents collected. And she highlighted Art Deco flourishes around doorknobs and handles.

“It’s very important for us to have the details,” she said.

With those priorities in mind, she is overseeing the final phase of the renovation, an investment that general manager Jacques Roy said will top $10 million. In addition to the small details, the renovation includes heavier, less obvious work: new drywall in guest rooms, for example, and new windows to replace leaky ones.

Painting of the building’s exterior should be finished in the next two to three weeks, Roy said. Dray compared its earlier unfinished state to resembling “a horror movie — the family Addams.”

And the final couple of guest room floors, as well as the restoration of the original Martini Room, should be done by the end of April.

“At the end, I will be very proud,” Dray said.

The National’s renovation wraps up as nearby properties such as the SLS Hotel South Beach and Gale South Beach & Regent Hotel have been given new life. Jeff Lehman, general manager of The Betsy Hotel and chair of the Miami Beach Visitor and Convention Authority, said the National has always been true to its roots. He managed the hotel for 10 years, including for a few months after Dray bought the property.

“I think historic preservation and the restoration of the hotels as they were built 70, 80 years ago is such a huge piece of our DNA,” he said. “It’s a lot of what sets us apart from any other destination on the planet.”





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Man set ablaze Christmas night dies; family files suit




















A man who was doused in gasoline and set on fire at a gas station Christmas night died Friday after being in and out of a coma since then.

Darrell Brackett, 44, walked to the U-Gas Station at 4700 NW 27th Ave. shortly before midnight night while his girlfriend waited in their van. They were returning from dropping off family members after a Christmas gathering when they ran out of gas near Northwest 49th Street and 23rd Avenue.

Brackett made it to the gas station and paid for his gas.





While there, he encountered several drug dealers, according to the Brackett family’s attorney. They asked Brackett if he was interested in purchasing from them, and when he said no, they took offense, the attorney said.

They threw a lit cigarette at cigar on him, which in combination with the gasoline he had just purchased made him go up in flames.

Brackett ran into the street, where a woman passing by directed him to a median where he rolled on the ground in an attempt to put out the flames. “Why did they do this to me?” he asked at the time.

He was taken to Jackson Memorial Hospital, where he was treated in the burn center until he died Friday.

Although for the first part of his recovery Brackett was unable to communicate, he was doing well enough about three weeks ago that he could nod and use hand movements to speak with his family and Michaels. It was during those conversations they were able to learn better what happened that Christmas night.

Then, after that one week when he could communicate, Brackett took a turn for the worse, fell back into a coma and died.

Brackett’s mother, Bridgett Brackett, said her son would be remembered as “a people person.”

“Everybody loved him,” she said Wednesday. “He had a sweet personality and was just a fun-loving guy. Every time you saw him, he had a nice smile. He was a great child.”

Brackett’s family has filed a lawsuit against Urbieta Oil Inc. and HDEZ Oil Corp., which own and operate the U-Gas Station. Trial is scheduled for Aug. 12.

The family’s attorney, Todd Michaels of the Haggard Law Firm, a Coral Gables firm that specializes in personal injury cases, said the companies’ gas stations in South Florida have operated negligently for too long, without proper security measures in place.

The Haggard Law Firm previously represented the family of Trinard Snell, who was killed in 2009 while working at a Valero gas station in Liberty City. Snell’s family won a $5.7 million lawsuit in that case on Dec. 2 after expressing their concern that the station did not sufficiently protect its employees, according to Miami Herald news partner CBS4.

“There is a staggering amount of crime going on in these premises, and pretty much nothing going on in terms of security,” Michaels said. “Security can’t be something you put on the back burner . . . It’s happening too much that [gas stations] are throwing caution to the wind as far as securing their premises goes. People are being attacked and robbed.”

It is too early in litigation to determine how much the suit will amount to, but because of Brackett’s two months of medical bills, Michaels said the number will likely be high.

“The family just wants to see they achieve some sort of justice for him,” Michaels said.

Ignacio M. Urbieta, an attorney for Urbieta Oil Inc., said safety has always been the company’s top priority.

“The Haggard Law Firm alleged unsubstantiated facts about the incident and made dishonest statements disparaging our personal ethics,” Urbieta wrote in a statement to The Miami Herald. “We vehemently deny their version of events and will address their accusations at the appropriate time and place.”





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School janitor gets 20 years for raping 12yo student








A Brooklyn school janitor convicted of raping a 12-year-old girl in his middle school was sentenced to 20 years to life in prison today as his family sobbed in the back of the courtroom.

Ambiorix Rodriguez, 34, had sex with the girl in the basement and stairwell of the East Flatbush school but was busted when she told school officials.

Rodriguez did not force the girl to have sex but was charged with rape and other crimes because of her young age.

Prosecutors asked for a sentence of 74 years to life and read a statement from the victim’s aunt.

“She was and is still a child. How could you do this to her? How could you possibly think this is okay?” the aunt said.




Judge Sheryl Parker slammed Rodriguez before sentencing him.

“In this case the defendant repeatedly took advantage of a young girl in a place, her school, that should have been her safe haven.”

Parker also issued an order of protection forbidding Rodriguez to contact his victim for 75 years. Rodriguez, in grey prison sweats and hand cuffs, blew a kiss to his teary family when he walked into court, but did not turn to look at them when he was lead out.

jsaul@nypost.com










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Architectural advisory panel rejects design plans for Midtown Miami Walmart




















Controversial efforts to build a Walmart in Midtown Miami hit an unexpected roadblock Wednesday when members of Miami’s architectural advisory panel rejected the latest version of the plan.

The unanimous vote to deny a permit application was unusual for the Urban Development Review Board, which functions as an advisory group to the city planning director, and rarely takes a hard stand against projects.

The response from Walmart was unusual, too.





The board offered Walmart a chance to rework its plans and return for a later hearing. But the Walmart team declined.

“We’re just at a point where the project is taking way too long,” Walmart attorney Alfredo Gonzalez said, adding that contractual obligations demand the project move forward immediately.

The Midtown Walmart project has garnered intense opposition from neighborhood activists, who worry the big-box store will destroy the character of the up-and-coming neighborhood. Proponents say the Walmart would create as many as 750 construction and retail jobs and be a source of fresh produce and affordable consumer goods.

Last month, to make its 156,000-square-foot store blend in better with the district, Walmart revised its plan to include an adjacent building with pedestrian-friendly, street-level shops. Zyscovich Architects, the firm that drew up the master plan for the Midtown district, is designing that portion of the project.

On Wednesday, members of the development review board sharply questioned whether the latest plans comply with two key features of the special zoning plan that governs development in Midtown. Like the city’s Miami 21 zoning code, which was written after the development of Midtown, the rules are meant to ensure that buildings in the district foster active pedestrian traffic and avoid blank walls and exposed parking garages.

One guideline calls for the top decks of parking garages to be screened or covered. Walmart’s plan for rooftop parking includes decorative planters but not a cover or screen.

“The code requires that you incorporate trellises or other design features to conceal the parking spaces,” Urban Development Review Board member Robert Behar said. The Walmart plan “needs to be more elaborate.”

A second rule requires “liners” — typically residential or commercial space — to conceal garages on principal streets like Midtown Boulevard and North Miami Avenue. If a garage doesn’t have liners above the ground floor, it’s supposed to be set back 85 feet from the street.

While Walmart’s plans show ground-floor retail stores, there are none on the second and third stories of the three-level garage. Those floors are instead covered with glass façades.

The garages are set back roughly 25 feet on Midtown Boulevard and 50 feet on North Miami Avenue.

Miami Assistant Planning Director Carmen Sanchez said she believes the Midtown regulations don’t specifically require occupied spaces in the upper stories, but just “an articulated building façade” like the glass panels Walmart has proposed.

But members of the panel said they read the code differently to require habitable space on the upper stories as well as the ground floors of garages.

“Either you include liner uses in the second or third level, or you set the building back 85 feet,” architect and developer Willy Bermello said.





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More state spending on roads, ports




















If you think there’s too much road construction now, just wait.

The state plans to increase transportation spending by 11 percent in an effort to boost jobs, build more roads, and get the state’s ports ready for the expansion of the Panama Canal. For motorists, that means navigating through more orange cones and thicker clouds of construction dust throughout the state.

Florida’s proposed $9.1 billion budget was released Tuesday. On tap in Tampa Bay, $420 million of additional lanes on Interstate 75 in Pasco, Hernando and Sumter counties; $27 million for the expansion of Bruce B. Downs Boulevard; and $69 million to add lanes on the Veterans Expressway in Hillsborough County. In South Florida, new construction would include $112 million for new lanes on I-75 in Broward County; $154 million to add lanes and reconstruct the Homestead extension of the Florida Turnpike and $25 million to add lanes and reconstruct State Road 823.





An unprecedented flood of money is getting steered to ports in an attempt to get them primed for the Panama Canal expansion, which should be completed in the next two years. The proposed budget includes $30.6 million for the Port of Miami, $26.7 million for the Port of Tampa, $19.5 million for the Port of Manatee and close to $100 million across the rest of the state.

“We’re leveraging what’s going to happen with post-Panama Canal expansion,” DOT Secretary Ananth Prasad recently told a House transportation committee. “Florida’s truly going to be the gateway to the Americas.”

Gov. Rick Scott was in Jacksonville on Tuesday to tout the proposed budget as an economic tool. He estimates the $917 million increase in spending from this year will help create 500,000 jobs, one third related to highway construction — employment opportunities that would be on line as he gets ready for re-election in 2014.

While Scott claimed credit for the budget, about two-thirds of it is the work of regional metropolitan planning organizations staffed with local elected officials, and port and airport authorities that he only partly controls through appointments. But the proposed transportation plan, which will be included in the larger $74 billion budget bill during the upcoming legislative session, reflects a consensus among lawmakers and local leaders that an increase in transportation spending will spark the economy.

“The construction industry was the most hurt by the recession,” said the chair of the House transportation appropriations committee, Rep. Ed Hooper, R-Clearwater. “So the industry will only be helped by more spending.”

In many ways, it’s an approach that’s a throwback to 20th century road politics, where highway construction was viewed as a job creator and a solution to gridlock. While other states have moved to road alternatives like transit and rail, Florida’s spending includes only about $400 million in direct spending on transit, or less than 5 percent. Scott is still remembered for rejecting $2.4 billion in federal dollars that would have paid for a high-speed rail link between Tampa and Orlando.

“You can’t construct enough highways to build our way out of congestion,” said Tampa Mayor Bob Buckhorn, a Democrat. “Tampa Bay is the only area of our size without mobility options, be it light rail, bus rapid transit or high occupancy vehicle lanes. This puts us at a competitive disadvantage.”

Buckhorn said he and several other cities, such as St. Petersburg and Miami, will lobby the Legislature this year to get permission to ask voters for approval of light rail projects without having to appeal to county voters as well. In 2010, Hillsborough voters rejected a proposed light rail system in Tampa that city residents supported.

Scott sees roads as not just creating jobs, but accommodating growth for a state with a population of 19 million that’s projected to grow past 26 million by 2040.

To the chagrin of environmental activists, Scott has resurrected a project of toll roads that former Gov. Jeb Bush supported but his predecessor, Gov. Charlie Crist, rejected. The toll roads would be built in rural areas and help bring development to landlocked parts of the state.

“Under Crist, transportation dollars were spent in areas where there already was congestion, not where they thought growth would go,” said Charles Pattison, President of 1000 Friends of Florida. “The interesting thing about this budget is that the governor has put about $1 billion more than he did last year, and it’s going to one agency for roads. But are roads going to be the solution in 2040?”





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Mark Hamill on Star Wars VII, Sushi Girl & Spinoff Movies

Mark Hamill's new movie Sushi Girl hits DVD and Blu-ray this week, and while talking about the project, the Star Wars legend was more than happy to provide ETonline with an update on his involvement with the in-development Star Wars VII – and what he thinks of those planned spinoff movies…

"It's all very, very exciting and so unexpected," says Hamill. "I think that's the quality I like about it most – it's like getting a pair of pants out of the closet you haven't worn in three years and finding a $20 bill in the pocket. It's just so unexpected."

Pics: 'Star Wars' Young Han Solo Casting Ideas

First off, will he appear in Star Wars VII? "They're talking to us," he reveals. "George [Lucas] wanted to know whether we'd be interested. He did say that if we didn't want to do it, they wouldn't cast another actor in our parts – they would write us out. … I can tell you right away that we haven't signed any contracts. We're in the stage where they want us to go in and meet with Michael Arndt, who is the writer, and Kathleen Kennedy, who is going to run Lucasfilm. Both have had meetings set that were postponed -- on their end, not mine. They're more busy than I am."

Hamill, 61, says he's intrigued about where the new trilogy could go but says he knows nothing about the storyline: "I probably learn more from Entertainment Tonight than I do directly from Lucasfilm – like for instance, when George told us he wanted to do the next trilogy, he didn't tell us it was going to be done for Disney. He saved that little nugget, and I read it online like anybody else."

As for his thoughts about the next trilogy's tone, "I said to George that I wanted to go back to the way it was, in the sense that ours was much more carefree and lighthearted and humorous – in my opinion, anyway. And another thing I'd want to make sure of is are we going to have the whole gang back? Is Carrie and Harrison and Billy Dee and Tony Daniels, everybody that's around from the original [returning]? I want to make sure that everybody's on board here, rather than just one. I guess I'll have to tune into your show to figure out who's on board."

In terms of where we'll pick up with Luke Skywalker in Star Wars VII, "I'm assuming, because I haven't talked to the writers, that these movies would be about our offspring -- like my character would be sort of in the Obi-Wan range [as] an influential character. … When I found out [while making the original trilogy] that ultimate good news/bad news joke – the good news is there's a real attractive, hot girl in the universe; the bad news is she's your sister – I thought, 'Well, I'm going to wind up like Sir Alec [Guinness]. I'm going to be a lonely old hermit living out in some kind of desert igloo with a couple of robots.'"

Hamill concludes of the next movie, "I hope they find the right balance of CGI with practical effects. I love props, I love models, miniatures, matte paintings -- I'm sort of old school. I think if you go too far in the direction of CGI it winds up looking like just a giant a video game, and that's unfortunate. … If they listen to me at all, it'll be, 'Lighten up and go retro with the way it looks.'"

Related: J.J. Abrams to Direct New 'Star Wars' 

As for those confirmed stand-alone Star Wars films, which may follow the adventures of a young Han Solo, Boba Fett and Yoda, Hamill observes, "That's really smart. Then you're more like James Bond pictures, where they come out and it's not an investment of a three-movie arc. … It's so rich, that [Star Wars] universe, in terms of quirkiness and oddball [nature]. We would talk about that [on the original film's set]. We'd go like, 'That little band that's playing in the Cantina, what's their story?! I mean, are they a traveling band? Are they the house band? Who's their manager?' They didn't have names when we first were talking about them. Now they're called, like, Sy Snootles – they come up with names down the road when they have to name toys."

So what spinoff movie would Mark Hamill like to see? "Oh, I don't know, set it on the Wookiee planet -- although that might be prohibitively expensive with that many Wookiees," he says with some resignation. After a little more thought, he muses, "That's what I would love. You pick the most insignificant little [character] – there's this little hawk-beaked character that's somewhere in Jabba's palace, I can't even remember what function he served -- but that's what I would think. You pick something that almost nobody remembers or knows about -- and then have a movie about him! You could probably put about 500 different character's names on a big, giant dart board, throw a dart, and say, 'Okay, wherever it lands we've got to make him the central character.'"

After a hearty laugh, Hamill adds, "I hope we don't overstay our welcome."

In the gritty gangster flick Sushi Girl, out on DVD and Blu-ray now, Hamill plays against type as Crow, a wisecracking, sadistic criminal who is a bit light in the loafers and gets very creative with a set of chopsticks in order to get the answer he's looking for.
"My character gets his kicks inflicting pain on other people," explains Hamill of the powerful indie film that follows a group of gangsters who reunite for dinner -- fresh sushi atop a naked girl -- several years after a diamond heist gone wrong. "He can dish it out, but the minute he gets a little nick or bruise, he's a horrible baby – and I love that he's de facto comic relief [in the movie], because he's just so goofy."

He adds, "The kind of character roles I enjoy doing most I did on Broadway, whether I played the sleazy producer in Room Service or I played The Elephant Man or I played Mozart in [Amadeus] … Those were all complex character roles. Character roles only indicate that they're very different from who you are as a person, and for me, it's fun hiding behind characters that are so unlike who I am."

Related: Mark Hamill Tells New Stories from 'Star Wars'

Stay tuned to ETonline for more Star Wars and Mark Hamill news!

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Judge blocks city from Ken Burns film footage








Famed documentary filmmaker Ken Burns today beat back an effort by the city to obtain raw footage and outtakes from his recent movie on the infamous "Central Park jogger" rape case.

A judge granted the PBS icon's request to quash a subpoena for the unused material on grounds that his production company, Florentine Films, is covered by the "reporter's privilege."

Manhattan Magistrate Judge Ronald Ellis ruled that Florentine proved its "journalistic independence" when Burns' daughter and collaborator on the film, Sarah Burns, "presented specific facts demonstrating an intent to publish at the time newsgathering commenced."




Ellis also said city lawyers were "misleading" when they claimed that Ken Burns told the trade magazine Variety that the "purpose" of last year's "The Central Park Five" was to spur settlement of a $250 million civil-rights suit filed by the five men whose convictions were tossed in 2002.

"Burns does not indicate what the film's 'purpose' is, and the quoted portion by defendants mischaracterizes the quote and Ken Burns' position," Ellis wrote.

The city claimed that it needed what Burns left on the cutting-room floor to help defend itself against wrongful-conviction claims by Antron McCray, Yusef Salaam, Kharey Wise, Raymond Santana and Kevin Richardson, whose pending suit was filed 10 years ago.

Ellis said upcoming depositions "will provide full access fo the main plaintiffs" and give city lawyers "the opportunity to pose questions concerning contradictions in the edited film and elsewhere."

Executive Assistant Corporation Counsel for Public Safety Celeste Koeleveld said the city was "disappointed" and considering its options.

"While journalistic privilege under the law is very important, we firmly believe it did not apply here," Koeleveld said.

"This film is a one-sided advocacy piece that depicts the plaintiffs' version of events as undisputed fact. It is our view that we should be able to view the complete interviews, not just those portions that the filmmakers chose to include."

Burns said he, his daughter and her husband, David McMahon -- who also worked on the film -- "are grateful for this important decision; we feel the judge made exactly the right ruling."

"We are also mindful that this ruling goes far beyond our current situation; this adds a layer of important protection to journalists and filmmakers everywhere," Burns added.

"We recognize too that this attempt to subpoena our outtakes and notes only further delayed the nearly decade long efforts by the plaintiffs to seek redress. We hope this serves as a positive impetus to move that original suit to a resolution."

bruce.golding@nypost.com










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Best photo apps for Android devices




















Whether you want to slap a simple filter on your photo or get granular and change attributes like color levels and saturation, we’ve got a list of the Android apps you’ll want to use.

Snapseed

The good: With its unique gesture-based interface, this offers an incredible level of control over its effects and filters.





The bad: The tools and interface aren’t intuitive, so it could take a while to get familiarized. Also, the lack of a zoom function makes it difficult to see finer adjustments.

The cost: Free

The bottom line: If you’re a serious mobile photographer looking for an app with which to fine-tune your photos, Snapseed is your best choice.

Pixlr Express

The good: Offers more than 600 effects that all work well and are easy to use. Auto Fix and Focal Blur (tilt-shift) are particularly effective.

The bad: The app doesn’t warn you before backing out, which can result in lost work. A Recent Files picker upon launch would be nice.

The cost: Free

The bottom line: One of the most powerful Android apps in its category. Despite its minor flaws, it should be your go-to mobile photo editor.

Instagram

The good: An excellent way to turn mundane images into cool-looking photos you can share with friends. Mapping features mean people can easily browse all your geotagged shots.

The bad: Photo Map features default to showing all your geotagged shots, which could be dangerous under some circumstances.

The cost: Free

The bottom line: If you like taking retro-looking shots and sharing them, Instagram is tough to beat. Mapping features and frequent updates to the app mean your pictures will have a longer browsing life span.

Photo Grid

The good: Offers a huge menu of grid templates and a dead-simple interface for combining photos into framed collages.

The bad: The app unfortunately doesn’t let you customize the thickness of collage borders or the level of curvature on rounded panels.

The cost: Free

The bottom line: Even though it’s missing a couple of nifty customization tools other collage apps have, Photo Grid’s simple interface and outstanding menu of predesigned grids make it the best collage app on the market.





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Pension reform plan put on hold




















House Speaker Will Weatherford’s push to close the state’s $136 billion pension system to new state employees is on hold.

A report released Friday was supposed to provide an estimate of how much the change would cost to pay out benefits to the employees currently in the system while switching new state employees into 401(k)-style retirement plans.

Instead, the report was deemed incomplete. Weatherford said Monday he wants the missing information before he can decide his next move, and that won’t be until at least March 1.





Weatherford, R-Wesley Chapel, has made ending pensions for new employees one his top priorities of the coming legislative session. He says change is needed because the state’s current pension — which has about 145,000 current and future beneficiaries — is unsustainable and will require a mammoth taxpayer bailout sometime in the future.

Unions oppose the move because they say it shifts costs and risks to workers.

A report released Friday by Milliman, a Virginia actuarial firm, concluded that closing the state’s pension system to future employees would endanger the benefits of those currently enrolled in the pension plan. The problem: Because Weatherford’s proposal would turn away new workers, the pension plan would be forced to rely on a shrinking payroll base on which contributions to retirees are made.

To make up the shortfall, either workers or taxpayers would chip in more, the report stated.

Weatherford said he wasn’t surprised that the $70,000 report, which he had ordered, concluded it would cost more money to reform Florida’s retirement system.

“We know that doesn’t come free,” Weatherford said.

But what the report didn’t include were costs associated with keeping the pension plan intact, making it difficult to compare costs between reform and status quo.

Weatherford said he didn’t know why that estimate wasn’t included.

“We do need, I believe, to have that baseline so that we can give the citizens of Florida and the Legislature all the information necessary to make a decision,” Weatherford said.

Ben Wolf, a spokesman for Florida’s Department of Management Services, said as soon as the report was received, state officials notified Milliman that the study was incomplete. He said another study, this one costing $25,000, will be sent to the state explaining how much the current pension system will cost.

So far, at least, Senate President Don Gaetz hasn’t publicly matched Weatherford’s enthusiasm in reforming the retirement system for state workers, teachers and college and local government employees.

The Senate is preoccupied instead with reforming smaller pension systems that are run separately by local governments. Sen. Jeremy Ring, D-Margate, who chairs the Senate committee that is handling pension reform, said he doesn’t see a pressing need to reform the state pension plan.

“With municipal pensions, there’s a legitimate need for reform,” Ring said. “But the Florida Retirement System is a completely different discussion because it’s difficult to define the urgency. I don’t believe moving to a 401(k) system is a bad thing. The challenge, however, and it’s a big however, is that it could be a bad thing in terms of how much it could cost to close down.”

Ring said he’s received little guidance from Gaetz on the issue.

“And that’s because he wants to wait for all actuarial reports to come out,” Ring said. “Ultimately, he’ll have to get engaged and give us some direction.”

But with the confusion over the Milliman report, that would have to wait.

Gaetz’s spokeswoman, Katie Betta, said in an e-mail he was reviewing the study and couldn’t comment.





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Newtown massacre gunman wanted to exceed Norway shooter's death toll








The gunman who carried out the Newtown school massacre was inspired by violent video games — and was trying to outdo a Norwegian mass murderer who killed 77 people, it was reported today.

Adam Lanza believed he was in ghoulish competition with Anders Breivik, who carried out a bloodbath at two locations in July 2011, law enforcement sources told CBS News.

Breivik, a paranoid ultra nationalist, fatally shot 69 people at a summer camp after murdering eight others in downtown Oslo.

Lanza wanted to exceed Breivik’s death toll, according to investigators.




He chose the Sandy Hook (Conn.) Elementary School because it was the “easiest target” with the “largest cluster of people,” two officials who have been briefed about the investigation said.

Lanza saw his victims as characters in a shooting video game and the higher the death toll, the better his “score.”

Investigators said they had found evidence that Lanza was obsessed with Breivik, who posted a bizarre extremists manifesto the day of his attacks.

Sources told CBS that investigators have also uncovered a “trove” of video games from Lanza’s basement.

He is believed to have spent much of his free time in a basement play room, with the windows blacked out, engaged in a kind of target practice on video games.

It was not disclosed which games he played. But Breivik boasted that he trained for his rampage by playing a war-simulation game named “Call of Duty: Modern Warfare.”

He said he developed “target acquisition” by practised his aim using a “holographic aiming device” on the game, which he believed was being used to train combat soldiers.

Norwegian prosecutors also said Breivik played “World of Warcraft” an astounding average of six hours and 50 minutes a day for four months while he was preparing his attacks.

The fate of the two mass murderers turned out differently.

Lanza, 20, killed himself after slaying 20 children and six adults before police closed in.

But Breivik surrendered to police and is being held in a Norwegian jail on a 21-year sentence, the longest allowed in his country.

In his manifesto and afterward Breivik said he was inspired by Oklahoma City bomber Timothy McVeigh, the Knights Templar of the Middle Ages, al Qaeda, “Unabomber” Ted Kaczynski, and Japanese “banzai” warriors.

He said he was motivated by fear of an Islamic takeover of Europe, a decline in Western values and the growth of Europe’s left-leaning political parties.

No manifesto or written explanation from Lanza of his rampage has been found.

Before his fatal spree he destroyed the hard drive on his computer, which may have kept some of the records of the games he played and who he played with.

But investigators are believed to be making progress in tracing Lanza’s on-line life.










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